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His CV is full of directing music videos for bands like U2, Depeche Mode, and Nirvana as well as directing feature films including The American (2010) and A Most Wanted Man (2014). Director Anton Corbijn is no stranger to filming bands. Curtis’ struggle in life, along with the seemingly miserable atmosphere of Manchester in the 1970s, are brought to full fruition by Ruhe’s work. The gorgeous black and white photography from Martin Ruhe perfectly matches the bleakness of everything going on in the film. To escape it all, he took the only option he felt he had. On the brink of setting off on an American tour, Ian feels completely trapped by the circumstances of his health, his failed marriage and fatherhood. He desperately wants to be able to manage everything going on his life, especially his epilepsy but it is becoming increasingly difficult for him. He begins to feel more and more out of control. Debbie is naturally upset so Ian tells her he’ll stop seeing Annik. Ian finds love with a fanzine writer named Annik (Alexandra Maria Lara) while on tour in Europe and when he comes home, he tells Debbie he doesn’t think he’s in love with her anymore.
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All this, plus his deteriorating home life (they’ve since had a child) makes Ian spend more and more time alone, locked away in his private room. These pills have side effects that would sideline an elephant. He's immediately put on a drug cocktail that includes several powerful medications. This news hits him hard because he’s witnessed first hand how this effected some of his clients as a case manager for an employment office. While returning from a gig in London, Ian has a seizure and is diagnosed with epilepsy. They record “Unknown Pleasures” in 1979 and go on tour.
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Yes, the same material does get covered but, no matter, it’s presented here in Control differently than was in Michael Winterbottom’s excellent film. If this sounds familiar, you’ve probably watched 2002s 24 Hour Party People, the film about Tony Wilson’s life starring Steve Coogan. The band performs “Transmission” live the show and Wilson quickly signs them to his Factory Records label. They immediately grab the attention of Tony Wilson (Craig Parkinson) who has a very influential television show called So It Goes where he highlights up and coming bands. Soon after, they add drummer Stephen Morris (Harry Treadaway) and change their name to Joy Division. It’s at this time that Ian joins up with Warsaw, who’s members include Bernard Sumner (James Anthony Pearson), Peter Hook (Joe Anderson), and Terry Mason (Andrew Sheridan). He spends most of his time locked in a room writing. They decide to marry but Ian regrets his decision almost immediately.
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He has a job, he’s good with the ladies and manages to snag his mate’s girl, Debbie (Samantha Morton) with some poetry and his good looks. He listens to glam music and is pretty sure of himself.
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When we first meet Ian (Sam Riley), he seems a care free young man who loves writing and David Bowie.
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In those four short years, what we see of his life is filled with much sadness, pain, and regret. As I write this, his death was ruled a suicide.Ĭontrol, based on the book “Touching from a Distance” by Deborah Curtis, Ian’s wife, looks at the period of time of Ian Curtis’ life right before he joined the band Warsaw (later to change their name to Joy Division) in 1976, until his death in 1980. Also, this same morning it was announced that singer Chris Cornell had died. He committed suicide on May 18th, 1980 at the age of 23. Little did I know that the day I planned to watch it was the anniversary of Ian Curtis’ death. I finally penciled it in to watch the week of the 15th so that the piece would go up on the 22nd. I remember watching the film a few years back and I thought it was fantastic. I’ve been wanting to write about Control for about a month now, after hearing the classic Joy Division song, “Love Will Tear Us Apart”. "Side effects include: drowsiness, apathy, and blurred vision.